Finnish art-metal group Apocalyptica, which formed in 1993, crashed onto the American metal scene in 1996 with an album of Metallica covers. But in the ensuing years, the band has made an attempt to change their musical style by tackling more complex, original compositions, showcasing various musical influences from European symphonies to Middle Eastern melodic riffs. 7th Symphony, Apocalyptica’s seventh studio album, represents their furthest departure to date.

The band’s current lineup consists of cellists Eicca Toppinen, Paavo Lötjönen, Perttu Kivilaakso, and drummer Mikko Sirén. Because the band doesn’t employ a single vocalist, they often collaborate with a wide range of acts. Guest vocalists on 7th Symphony include Shinedown’s Brent Smith, Bush’s Gavin Rossdale, and Lacey Mosley from Flyleaf. In an attempt to better connect with their heavy-metal fans, the album is also the band’s first collaboration with Joe Barresi, who previously worked with Queens of the Stone Age and Tool.

The opening track, “At the Gates of Manala”, features cellos riffing like electric guitars layered over a grinding bass line. The 7-minute mini-symphony finds its melodic groove, then crescendos to the end. From there, two of the vocal tracks, “End of Me”, and “Not Strong Enough”, keep the momentum going. The most melodic track on the album, “Beautiful”, features Sirén in his debut playing the bass. According to the band’s website, the track was recorded in a single take…while all the band members were naked. The later instrumental tracks blend together, as they lack the sense of urgency and explosive climaxes of the album’s first half.

Conclusion – 7th Symphony is a treat for new and old fans alike.