Tony Lucca‘s LP of covers, Under The Influence, will be released on September 27. The project, which according to Lucca, was originally slated to be titled Wish List, features 10 classic tracks that have influenced the singer’s career.
Check out the breakdown of each song’s importance to him below.
“Find The Cost of Freedom” (Crosby, Stills & Nash)
“Find The Cost of Freedom” is one of the most poignant songs ever crafted by one of my earliest influences, Crosby, Stills and Nash. The weight of the lyric, matched only by the strength of their signature harmonic structure, left an indelible mark on my early years of music appreciation/understanding.
“State Trooper” (Bruce Springsteen)
I never knew I was a Bruce Springsteen fan until I heard the record “Nebraska.” “State Trooper” hit me from the very first listen and the imagery stayed with me ever since. Again, Bruce might not have been someone I would think to cover but I can say without reservation that my songwriting improved immensely after hearing this song.
“Dirty Work” (Steely Dan)
I’m a huge Steely Dan fan and have always considered Donald Fagan a strong lyrical influence. Trying to find something by them to cover for this project was somewhat of a challenge because most of their work falls outside my personal musical vocabulary. However, “Dirty Work,” aside from being the only Steely Dan song NOT sung by Fagan (and ironically their only #1 hit, I believe) had a familiar sense of melancholy to it that I thought might lend itself well to the project. Ultimately, we left no trace of the melancholy on this cover but rather created what I feel to be the stand-out, feel-good track of the record.
“Grandma’s Hands” (Bill Withers)
“Grandma’s Hands” is not only one of my favorite songs by one of my favorite vocal influences, but it also reflects my love and reverence for one of my greatest influences ever, my Grandma, Eunice Stevenson. She was the mother of 12 music-making children and had a voice every bit as compelling as Sarah Vaughan‘s. Her spirit has been an inherent element in my career from the very beginning.
“That’s The Way” (Led Zeppelin)
“That’s The Way” has always been one of my favorite Zeppelin songs. There was always something so contemplative about Robert Plant‘s tone in that recording that it almost begs you to examine the meaning of the lyric. There are so many layers to it. Of course, it’s almost sacrilege to attempt to out-rock Zeppelin, so we were content to tackle something more on the acoustic side of their catalogue.
“You Got Lucky” (Tom Petty)
One of the cooler things about growing up in Generation X was that I can fully recall the advent of MTV. The songs and videos that were introduced to the world at that time were some of the most ground-breaking works in music history, and remain so today. When I saw Mike Campbell reach for that hollow-body Gretsch in Tom Petty‘s “You Got Lucky” video, I swore someday I would have that very guitar and maybe even be half as cool as Mike Campbell when I played it. I’ve yet to acquire that guitar but we did take an honest stab at the song from which the dream was born.
“Baby Driver” (Simon & Garfunkel)
I would say that of all the great lyricists of the past four or five decades, no one has had as strong an impact on me as Paul Simon. I knew I wanted to cover something by him (and possibly Art Garfunkel) but was excited to find something a bit more obscure. Brian Wright actually brought “Baby Driver” to the project and I knew we’d have a lot of fun recording it.
“Waiting On A Friend” (Rolling Stones)
“Waiting On A Friend” always struck me as the coolest dude’s anthem. Mick Jagger has a great way of painting contrast, and this song really reflects that. Again, this was one of those early-on MTV images that never slipped away from my memory. I love how the video starts off with Mick out on the stoop with Peter Tosh, in front of the same brownstone that was photographed on the cover of Led Zeppelin‘s “Physical Graffiti.” Lotta rock-n-roll trivia in there.
“Angel” (Jimi Hendrix)
“Angel” was the ideal duo for this record: me singing to Mike’s raw solo electric accompaniment. I have always been amazed at how vulnerable Jimi allowed himself to be. His lyrics are so vivid and otherwordly, of course to say nothing of his earth-shattering guitar work. Putting a Jimi Handrix cover on the record is an honor I could never take lightly.
“Dirt Floor” (Chris Whitley)
It took me some time to fully appreciate the work of Chris Whitley. However, it took only a couple listens to his Dirt Floor record before I started stealing little things here and there. I’ve always been a fan of alternate guitar tunings and Chris seemed to have taken this to a whole other level, not to mention his almost crooner-like melodic sense, featured prominently here in this a cappella version of the title track.
Ouch!
First, the spelling is Donald FAGEN, (with an “e”.).
Second, you say “Donald Fagan a strong lyrical influence…”. Well, then, who is this “Walter Becker” character? Maybe you assume that that whomever sings a word wrote the word?
Third, Dirty Work is NOT the only Steely Dan song sung by someone other than Fagen.
Forth, Dirty Work was not a #1 hit, or close.
Fifth, several Steely Dan songs charted higher than Dirty Work.
Sixth…., oh heck. The most searing comment an old professor of mine had was: “That’s not right: That’s not even WRONG”!
A huge fan might visit steelydan.com, where even a nanoseconds’ glance at an FAQ could resolve all these questions, and more.
Regards,
Another huge Steely Dan fan